Vampyr was challenging for Dreyer to make as it was his first sound film and had to be recorded in three languages.
To overcome this, very little dialogue was used in the film and much of the story is told with silent film-styled title cards.
The film was shot entirely on location and to enhance the atmospheric content, Dreyer opted for a washed out, soft focus photographic technique.
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Acá tenemos un avance con mucho primer plano, de acuerdo al gusto del maestro Dreyer.
Se la ve a Henriette Gérard, que interpreta a la vampiro, y formaba parte del extenso grupo de no actores que interpretaron un papel en este film.
Vampyr (German: Vampyr – Der Traum des Allan Grey, "Vampire: the Dream of Allan Grey"; ) is a 1932 German–French horror film directed by Danish director Carl Theodor Dreyer.
The film was written by Dreyer and Christen Jul based on elements from J.
Sheridan Le Fanu's collection of supernatural stories In a Glass Darkly.
Vampyr was funded by Nicolas de Gunzburg who starred in the film under the name of Julian West among a mostly non-professional cast.
Gunzburg plays the role of Allan Grey, a student of the occult who enters the village of Courtempierre, which is under the curse of a vampire.
Yet the result—concerning an occult student assailed by various supernatural haunts and local evildoers in a village outside Paris—is nearly unclassifiable, a host of stunning camera and editing tricks and densely layered sounds creating a mood of dreamlike terror. Read more » July 21, 2008 A glance at Vampyr should begin with a glance at its Danish begetter, Carl Theodor Dreyer (1889–1968), whose relatively restricted output has not prevented him from being spoken of as one of the . The long-gestating website devoted to the Danish director, Carl Th.
With its roiling fogs, ominous scythes, and foreboding echoes, July 21, 2008 A glance at Vampyr should begin with a glance at its Danish begetter, Carl Theodor Dreyer (1889–1968), whose relatively restricted output has not prevented him from being spoken of as one of the .
Read more » June 10, 2010 Fans of Carl Theodor Dreyer’s films (which really should include any lover of cinema) have reason to celebrate.